How We Should Be Thinking About Display Advertising - Part Two |  | Visited: 1899 |
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| | by Brian Brown November 04, 2008 |
| Brian Brown |

Brian Brown is a VP and Executive Creative Director of Brand New World. He has been working
with computers almost as long as he has been working with pencil and paper, and
successfully bridges the gap between art and technology.
Prior to joining
Brand New World, Brian headed Dratsum Interactive and held other creative
director positions in the interactive industry. |
| Brian Brown
has written 4 articles for PromotionWorld. |
| View all articles by Brian Brown... |
In interactive advertising, display ads provide opportunities for
highly effective campaigns by providing the widest possible messaging net and,
with the right approach, intriguing, smart, and instantly engaging
micro-experiences. But with so many
limitations inherent in display advertising, how can we successfully communicate
client messaging, create an emotional connection and drive deeper brand
engagements? In this second installment, we will cover some specific
technologies and tactics that can be used to improve the effectiveness of your
display advertisements.
One platform that is becoming more and more the norm is rich
media. Rich media is to the standard
flash banner what the flash banner was to the animated gif in 1998. I firmly believe that with both the
increasing number of broadband subscribers and the growing amount of bandwidth
available, we are going to start seeing a lot more rich media placements
available.
Rich media is a generic term that basically describes a special
buy and placement for a content-rich interactive banner. Rich media placements offer more flexibility
for creating more complex user interactions, which in turn offer a greater
chance of getting customer attention from the gutter. Even though the publisher will always limit
file size and loop time, there are very few limits to the types of content that
you can provide in a rich media banner. We are seeing many more interesting
rich media tactics in the marketplace today.
Banner gaming, music, and couponing are all great examples of innovative
uses in rich media placements. However,
for the rest of this article, let’s focus on just one tactic: in-banner video.
In our experience, in-banner video is the most effective way to
get noticed and spark intrigue in a consumer.
Additionally, if it is executed correctly, it can pay off all the
“trust” requirements we discussed in part one of this article.
Rich media video banners run silently off in the gutter waiting
for a user to interact with them by turning the sound on to activate a richer
experience, and to get more of the message.
The trick here is to attract attention, without compromising the video’s
reason for being.
A great way to drive intrigue here is to use video as bait to
drive to a longer story, and a deeper brand connection. When scripting this story for rich media
video, it has to telegraph in two separate, but equally important modes: silent
film mode, and trailer mode.
In silent film mode, you naturally have to tell part of a story
with no sound. I suggest using some of
the simple silent film techniques of the 20’s.
Use video of people whenever possible, and use close ups to express
emotion and conflict. People connect
very quickly with images other people, and especially with expressive
faces. Think about what other elements
you can use to support the video to add context to story.
The next thing to consider in this “silent mode” is the
supporting text. What is the supporting text doing? How is it contributing to
the story? In some of our rich media banners, for example, we’ve even gone so
far as to overlay silent film-style title cards in video for this mode - and
remove them once sound is activated.
Once the customer has clicked on the banner, we can now use full
sight, sound, and motion. Our goal here is to make people want more, and
teasing a story has always been a great way to accomplish that goal. When cutting video for banners, just as for
film, we have understand our audience in order to know the best way to tell a
story on behalf of our brands.
In conclusion, getting quality consumer attention from
the gutter isn’t hopeless. However, in order to do it you have to be smart,
deliberate, and relevant. You have to
get noticed, and offer the consumer something they want. And keep in mind, that by clicking on a
banner, consumers are agreeing to take the first step in what should be a deep
and mutually fulfilling brand engagement.
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